Chicago (2002)

January at the theaters is a tale of two kinds of films. One type are the studio bombs (take Just Married and Darkness Falls, please take them far away). The other type are the prestige pictures expanding their releases in hopes of garnering some of that Oscar magic. A lot of prestige films were released around the holidays and though not every one could be a winner, they were all better than Kangaroo Jack. Well, except for The Hours.

Chicago (2002)

Premise: Roxie Hart (Renee Zellweger), hungry for fame, finally grasps it when she kills her lover and is put on trial. Silver-tongue lawyer Billy Flynn (Richard Gere) stirs up the media in her defense, as well as for another starlet killer, Velma Kelly (Catherine Zeta-Jones).

Results: A song-and-dance picture that’s quite toe-tappin’ with imaginative numbers, even if I can only remember like two songs. A surprisingly steady Zeta-Jones really shines and Gere can cut a rug. Chicago is just lively fun. Blink and you’ll miss Lucy Liu in it.

Nate’s Grade: B

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on January 8, 2003, in 2002 Movies and tagged , , , , , , , , , , , , , . Bookmark the permalink. 1 Comment.

  1. I give this film an A+. Every song is memorable, the dialogue clever, and the direction first-rate. The opening sequence, which has an interplay between the Velma-Roxie stage performance and Roxie’s lovemaking with Fred is a directorial tour de force. “Chicago” deserved its Oscar hands down, and is one of the very best “musicals” ever filmed. I put the word in quotation marks because it’s not a musical in the traditional sense. Characters are either performing on stage, or are creating musical numbers in their mind.

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