Daily Archives: July 2, 2009

The House Bunny (2008)

Anna Farris (Scary Movies) is proving herself to be one of the most adept physical comedians of today. This is formulaic fish-out-of-water comedy set in the familiar territory of collegiate coeds, so you’ll be excused for thinking you’ve seen this movie before in a dozen incarnations. The nerdy outcast sorority adopts Farris as their housemother, and through no shortage of makeover montages, the girls come out of their shells and embrace their outer midriffs. However, The House Bunny doesn’t just stoop to pandering a hypocritical “believe in yourself” message tied to beauty makeovers to win over the fellas, but it almost does. Farris is the true draw for the film and she goes for broke as the daffy Playboy Bunny. She’s sweet and effervescent even at her most dimwitted; this woman knows how to sell a joke. Her comedic timing and line readings are superb. The movie isn’t anything more than a pleasing diversion, but without Farris and her comic gifts it would be something much worse. The House Bunny does what it does well enough to be disposable entertainment. She’s got the dumb blonde routine down cold, now it’s time for filmmakers to allow Farris more opportunity to hone her other comedic chops.

Nate’s Grade: B-

War Inc. (2008)

What is the point of this movie? I think I get it, at least get what they were going for. The military industrial complex is bad and can mislead countries into needless conflict just for corporate profits at the expense of human life. Sure, got that, then what the hell is with the storyline of a Eurasian popstar (Hilary Duff) who has daddy issues? War Inc. is a farce but it doesn’t have much of string to connect it all. It’s all so scattershot, from lampooning politicians and corporations to squeezing in contrived romance and peculiar and almost nonsensical flashbacks with a fast-talking Ben Kingsley who sounds like he’s doing an impression of Foghorn Leghorn. This movie feels like a collection of discarded scenes that someone pasted together. The movie’s cynicism is almost repellent, and this is coming from a self-described cynic. It isn’t the cynicism that bothers me but it’s the lack of any bigger point. The satiric targets are all cheap and easy, which would be acceptable if the movie did more with the material. War Inc. is remarkably tone deaf when it comes to satire. The Duff sequences are superfluous and are begging to be scandalous, which then undercuts the movie’s potshots about exploiting teenagers for sex. The movie just utterly collapses from the inside out by the end. The most memorable and headline-grabbing moment of War Inc. is when Duff drops a scorpion down her shorts. Does that sound like an enviable creative highpoint?

Nate’s Grade: C-