Valley Girl (2020)

valley_girlIf you’re a big fan of 80s music and looking to congenially pass 90 minutes, I suppose you could watch the new musical Valley Girl as it whisks you away on a cloud of simple nostalgia. That’s the word for this movie. Everything is very simple, from the stock characterizations, to the boy-meets-girl romance, to even the performance of the dozens of popular 80s songs, which are reworked into being blander vanilla versions that reminded me of what Kids Bop does to music. We follow a titular valley girl (Jessica Rothe, so great in the Happy Death Day franchise) as she falls for a punk rocker (Josh Whitehouse, struggling in the singing department) from the wrong side of the tracks. The romance is very familiar as are their trials of stepping outside their individual comfort zones for the other person. The big problem with Valley Girl is that the first half feels like it’s at warp speed; nary a minute goes by without a song-and-dance number barreling onto the screen. The second half, in contrast, has only a handful of these numbers and tries to expand the characters but by that point it’s too late. I don’t care about them. Since it’s a jukebox musical, the songs should be selected to provide better insights into the characters’ emotional states, but too often they feel superfluous and clunky. “Hey Mickey” introduces our selfish jock (Logan Paul of YouTube infamy) at a pep rally. “Girls Just Wanna Have Fun” is about having fun on the beach. “Boys Don’t Cry” about dealing with being sad. It’s that kind of application. There’s a frame device where an older mom (Alicia Silverstone) is recounting her 80s experiences to her teenage daughter, and this could have provided a satirical and clever development, allowing the recounted experiences to blend into fantasy and her hazy memory. Valley Girl isn’t a bad movie, just one lacking significant purpose outside nostalgia and cleaning out a big music clearance account. If watching watered down 80s hits sounds like your thing, then party to the max, man.

Nate’s Grade: C

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on May 21, 2020, in 2020 Movies and tagged , , , , . Bookmark the permalink. Leave a comment.

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