The Front Runner (2018)

In 1987, former Colorado senator and governor Gary Hart (Hugh Jackman) was the leading Democrat in primary polling and a sure bet to take on George H.W. Bush for the White House. In three weeks time, his campaign was in tatters and he folded. It all stems from a supposed affair he was conducting with Donna Rice (Sara Paxton). They deny anything but Gary acts like he has something to hide, evading the media’s questions about his marriage and his past history with infidelity. Enough time has passed in the political landscape to take a deeper dive into Gary Hart’s disintegration in the spotlight, and the moment serves a tipping point for changing media coverage. Journalists talk about the “old days” where candidate infidelity and ailments were just ignored as a gentleman’s agreement of sorts between the gatekeepers, but should they have? While a candidate’s martial relations are significantly less important than policy and governance, they do reflect character and what he or she (but, let’s face it, mostly he) acts with authority. Strangely, The Front Runner wants to paint the hungry journalists digging into Hart’s past as the real enemy, going above and beyond the bounds of ethics for crass sensationalism. This is directed and co-written by Jason Reitman (Tully, Up in the Air), a shrewd storyteller with a knack for human drama, which makes the “both sides are bad” equivocation all the more curious. Jackman is strong and has several scenes of righteous speeches talking about how he didn’t sign away his privacy, except when you run for president, you kind of do, and the American public deserve to know if their leaders abuse power. The movie favors long takes with a wide supporting cast of players that speak like they stepped out of an Aaron Sorkin workshop (an exchange celebrating the “integrity” of news anchors wearing bad suits feels ripped right from Sorkin’s unguarded typewriter). The film is nicely sympathetic to the “other woman” in this scenario and treats her like a human being with dimension. The PR recovery and shady deeds of Hart’s team reminded me of the Chappaquiddick, which placed an unfavorable scrutiny on Ted Kennedy and his team of political spin masters after his deadly car accident. It all makes for an entertaining movie with solid performances and interesting character shading, but its perspective is too wobbly, trying to lay the blame on everyone it can find.

Nate’s Grade: B

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on March 17, 2019, in 2018 Movies and tagged , , , , , , , , , . Bookmark the permalink. Leave a comment.

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