The Shack (2017)
When it comes to faith-based movies, especially those based on best-selling books, you know that they’re going to be preaching to the choir and more determined to give its intended audience the message it wants first; everything else is secondary. With The Shack, I got the start of an interesting film scenario and then it became the most boring, laborious, and theologically trite Ted Talk ever. I was fighting to stay awake and it was a battle that I was losing. The opening twenty minutes presents a story with dramatic possibility: Mack (Sam Worthington) is a family man who is grieving the loss of his youngest daughter. On a camping trip, she was abducted by a pedophilic murderer and killed in a shack in the woods. Mack is a shell of himself and his family doesn’t know how to reach him. He gets a mysterious invitation from “Papa,” his wife’s nickname for God, inviting him to the murder shack. So far so good. There’s even a fairly interesting back-story for Mack about his alcoholic and abusive father. Young Mack eventually poisoned his bad dad’s drinks with hazardous chemicals to protect he and his mother. However, all remote sense of entertainment is snuffed out once Mack enters the confines of the titular shack. Inside are human avatars for the Holy Trinity of Christianity, with Oscar-winner Octavia Spencer serving as a homespun “Papa.” The next 100 minutes is a series of talk show interview segments with each person to engage in full on flimsy spiritual psycho-babble to explain why God lets bad things happen and forgiveness is key. The movie stops being a dialogue and becomes a lecture series, and each one just kept going on and on. The characters stop being characters and become different mouthpieces for the spiritual cliches. It’s like the filmmakers threw up their hands and gave up. This is not a movie. It’s a inspirational exam told by the most cloying professors. The lessons learned feel trite (who are you to judge, God is with you through good times and bad) and the movie curiously leaves a lot of dramatic implications unresolved. Did Mack kill his father with the poisoned drink? Did this killer pedophile ever get caught, and if not doesn’t that mean other children are at risk? It’s like once Mack enters that mystical murder cabin, the movie loses any sense of structure, pacing, stakes, and dramatic propulsion, and that’s before the silly race across the water with Jesus. I would also say Worthington (Avatar) is not the best choice as the lead actor due to his limited dramatic range and growl-pitched voice. Other movies have dealt with heavy loss but rarely has one felt so detached from making that loss personable and empathetic. The Shack is a maudlin fable that wants to make people feel good even during the dark times. That’s admirable but it doesn’t make this 135-minute sermon any more of a worthwhile movie to watch.
Nate’s Grade: C-