The Next Best Thing (2000)
Madonna and Rupert are the best of buds, but he’s gay. So of course it’s only nature and a matter of time before they sleep together and get pregnant. They decide to disclose the identity of the daddy and raise the child together. Why they never went with the virgin birth angle is beyond me. So they raise it. And they do. Then the Material Girl wants said child for herself and it pretty much veers further into absurd soap opera from there on out.
The premise is a rip-off of the earlier The Object of My Affection, which in turn was a rip-off of Chasing Amy. Get prepared for countless scenes of Madonna and Rupert gallivanting about like they’re in a perpetual slumber party. Rarely has a more awkward film been so preachy. It’s a never-ending soapbox of sermons about family values and gay rights. Wonderful but if I’m not mistaken wasn’t there supposed to be a story somewhere?
The movie resides as one half comedy (?) then one half drama, neither of which is consistent let alone entertaining. Somewhere there’s a violent jolt into an out-of-place Kramer vs. Kramer courtroom battle royale. If the audience is supposed to feel for Madonna’s character then nothing like a selfish child custody battle to win the hearts of everyone. Who’s the victim in this? Not the child. It’s the audience.
Rupert Everett may be the only redeeming part of this uneven and mushy dramedy of lapsed judgement. His charm is evident and his leading-man ability carries the film as long as he can until it implodes on itself. I could clearly hear sighs around me of “If only he weren’t gay.” in the theater.
Madonna is clearly the biggest hindrance in The Next Best Thing. Whenever she speaks it’s like she’s reciting lines into a mirror. Madonna has some mysterious British accent she seems to have picked up and is as wooden as a board. If you call what she does in this movie “acting” then you’ll have to register some national parks with the Screen Actors Guild.
If The Next Best Thing really is the next best thing for Madonna’s struggling film career, I’d suggest reconsider her options. And pray to the other Madonna while doing it. At least she would have enough sense not to do a silly remake of “American Pie.”
Nate’s Grade: C-
Posted on February 27, 2000, in 2000 Movies and tagged benjamin bratt, comedy, drama, illeana douglas, john caroll lynch, madonna, motherhood, neil patrick harris, rupert everitt. Bookmark the permalink. Leave a comment.